Art lecture to cover a gamut of life

Untitled #3 (In the Garden), 2005, cel-vinyl, acrylic, and alkyd on gessoed canvas over panel by Lari Pittman. Purchased with funds from the Coffin Fine Arts Trust; Nathan Emory Coffin Collection of the Des Moines Art Center, 2022.8. Currently on view in the Lower Meier Gallery.

DES MOINES, IA (PNAN) – The 32nd Annual Fingerman Lecture is set for Sunday, October 2, 2022 at 1:30 pm with artist Lari Pittman.
Pittman will be speaking about his process that draws from elements of commercial advertising, the decorative arts and history painting to produce large-scale works. In his fragmented images, everything happens simultaneously, such as joy and sadness, horror and humor, violence and kindness, male and female.

For more information on this event and other programming, www.desmoinesartcenter.org

About

Son of an American father and a Colombian mother, Lari Pittman grew up in both Los Angeles and Colombia. He draws from elements of commercial advertising, the decorative arts, and history painting to produce large-scale works. He often loads his dense, psychologically-jarring dreamscapes with symbolism about love, violence, death, and sex. In his fragmented images, everything happens simultaneously, such as joy and sadness, horror and humor, violence and kindness, male and female. Drawing from his feminist studies at Cal Arts in the 1980s, Pittman sees this method of working as a protest of gender expectations, contradicting, for example, that patterns and colors are gendered. He dismisses the notion that decoration or the domestic space is feminine or associated with gender, stating, “I purposefully orchestrate the work so that you have that comfortable laughter when looking at it–it’s full-hearted and enjoyably internally–but it’s also a laughter linked to nervousness.”

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