Written in an approachable and amenable style, however not only aimed at the layman, but also a recommended reading for non-specialists, art historians, curators and scientists alike, Jehane Ragai’s new book, “The Scientist and the Forger” released by Imperial College Press and World Science Publishers, takes the reader down the fascinating and ever more turbulent journey of forgery detection and art authentication.
Dealing with cases as recent as 2014/2015, the book provides a gripping portrayal of the complexity of challenges faced by the art world today: unscrupulous so-called forensic scientists, dealers and agents who, keen to live by sales in the art market are sometimes willing participants in fraud, claims of art fraud being met with legal libel, and forgers who once tracked down, are given astonishingly light sentences followed by celebrity upon release.
The book also provides fresh insights into the psychology of the forger and the viewer and provides a novel analysis of the role of courts operating under the dictates of the common law system in authentication matters, with the eventual questioning of such a practice.
“The Scientist and the Forger” concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity.
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