HARTFORD, CT (PNAN) – Going on view at the Wadsworth Atheneum Museum of Art on Saturday, March 5, works by Milton Avery, who is considered one of North America’s greatest 20th-century colorists. His career fell between the movements of the American Impressionists and the Abstract Expressionists, leaving him to forge a staunchly independent path.
The exhibition brings together a selection of approximately 70 paintings from the 1910s to the mid-1960s that are among his most celebrated. These works typically feature scenes of daily life, including portraits of loved ones and serene landscapes from his visits to Maine and Cape Cod. The color sensibility and balance that run throughout his work had a major influence on the next generation of artists.
“Visitors will see some of the earliest paintings Avery made right in and around the city of Hartford and then follow his artistic evolution into a significant modern artist,” says Erin Monroe, Krieble Curator of American Paintings and Sculpture at the Wadsworth. “This is a long overdue celebration of a fascinating artist whose professional life spanned major art movements in the United States, including American Impressionism and Abstract Expressionism, and whose paintings can be considered an unexpected link between the two.”
Avery grew up outside of Hartford and studied at both School of the Art Society of Hartford and the Connecticut League of Art Students. From 1905 to 1925, while working full-time in various area factories, he continued taking art classes, gradually finding his artistic footing in the region.
In 1915, Avery exhibited his first painting in the Wadsworth Atheneum’s Annex Gallery, an exhibition space adjacent to the museum’s main building. He continued to show his work in solo and group exhibitions in Hartford’s art galleries and at the Wadsworth throughout the following decade. Even after Avery left Connecticut for New York City in 1925, he would continue to exhibit work in Hartford, and would return to the area to visit family and friends.
Spanning three galleries in the Wadsworth, this survey features some of Milton Avery’s most celebrated paintings from the early 1910s to the 1960s, tracing his artistic development from impressionistic landscapes to radically simplified compositions featuring flattened forms and innovative colors.
Avery’s imaginative palette, often described as “poetic” and balance of form influenced a younger generation of artists such as Mark Rothko, Barnett Newman, and Adolph Gottlieb, who he befriended and mentored. In Rothko’s words, Avery celebrated the world around him with a poetry that “penetrated every pore of the canvas to the very last touch of the brush.”
“It is especially satisfying to be partnering with the Modern Art Museum in Fort Worth and the Royal Academy in London to transport Avery from his roots in Connecticut and introduce him to new audiences in Texas and in Britain,” said Matthew Hargraves, Robert H. Schutz, Jr., Interim Chief Curator at the Wadsworth.
For more information on this exhibition and other programming see: www.thewadsworth.org or call 860.278.2670. Editor’s note: This exhibition is organized by the Royal Academy of Arts, London, in collaboration with the Modern Art Museum of Fort Worth and the Wadsworth Atheneum Museum of Art; curated by Edith Devaney, formerly the modern and contemporary curator at the Royal Academy of Arts and now managing director and curator of the David Hockney Foundation. It is accompanied by a major catalogue featuring essays by Edith Devaney; Erin Monroe; Marla Price, Director, The Modern Art Museum Fort Worth; and a conversation with the artist’s daughter March Avery Cavanaugh.